Luchino Visconti | Ivo Blom

Trailer for my new book, EYE book launch, and upcoming presentation in Milan

• April 22, 2018 • 2 Comments

Posted in art, book, book presentation, film, film history, intermediality, intramediality, Italian cinema, new publication, publication, Research, trailer, transmediality
Tags: appropriation, book, book presentation, cinéma et peinture, cinema, cinema and art, cinema and intermediality, cinematography, citation, citations, CLUE+, CLUES, comparison, composition, costume design, deep-staging, depth, film, film aesthetics, film and art, film et art, film history, Filmkunst, framing, intratextuality, Italian cinema, Kunst, Kunst und Film, Luchino Visconti, Malerei, miroirs, mirrors, mise-en-scene, mobile framing, peinture cinéma, pittura, set design, Sidestone Press, specchi, Spiegel, staging, trailer, transmediality

Reframing Luchino Visconti: Film and Art presented at EYE (and my history with this institution)

• March 30, 2018 • Leave a Comment

Posted in book, exhibition, film, film history, intermediality, Italian cinema, Luchino Visconti, publication, Research
Tags: Amsterdam, cinema, cinema italiano, CLUE+, CLUES, Comparative Arts and Media Studies, Crossmedial Exhibitions, Desmet Collection, Dutch, education, exhibition, EYE, film, film and art, film archive, Filmmuseum, Italian cinema, Italy, lecture, Luchino Visconti, memories, nitrate film, Overveen, poster, publication, Rome, Sidestone Press

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

Roger Hanin (1925-2015)

• February 11, 2015 • 1 Comment

Posted in Uncategorized
Tags: actor, cinema, cinema italiano, film, in memoriam, Italian cinema, Luchino Visconti, Roger Hanin

Francesco Rosi (1922-2015)

• January 11, 2015 • Leave a Comment

Posted in Uncategorized
Tags: 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, assistant-director, cinema, cinema italiano, cinema politico, director, film, Francesco, Francesco Rosi, in memoriam, Italian cinema, Italy, Luchino Visconti, obituary, political cinema, Rosi

Two older publications now online

• December 26, 2014 • Leave a Comment

Posted in Uncategorized
Tags: 1940s, adaptation, Amsterdam, bioscopen, Carl Koch, cinema, cinema and intermediality, cinema italiano, cinemas, documentary, Eerste Wereldoorlog, espionage, fiction, film, film history, Film in Rome, film locations, film production, film reception, First Wprld War, Germany, Italian cinema, Jean Renoir, Luchino Visconti, Nederland, Netherlands, new publications, nonfiction, propaganda, Rembrandt Theater, Rembrandtplein, Rembrandttheater, Rome, spionage, Tosca, Ubaldo Arata, Visconti

New season

• August 24, 2012 • Leave a Comment

Posted in Uncategorized
Tags: art, artist, Ausonia, CAMS, cinema, cinema and antiquity, cinema italiano, Cinema Muto, Comparative Arts and Media Studies, course, crowd, Death in Venice, Desmet, Desmet Collection, Domitor, education, Elena Makowska, FIAF, film, film and art, Film in Rome, forzuti, Francesco Bono, Gioconda, Giorgio Bertellini, Helena Makowska, innovation, iPad, Italian cinema, John Libbey, Journal of Film Preservation, KNIR, L'atleta fantasma, Luchino Visconti, Lyda Borelli, photography, publication, Quo vadis?, Richard Abel, Roman Holiday, Rome on film, Routledge, silent cinema, The Crowd, TMG

Cinema Ritrovato 2011

• July 10, 2011 • Leave a Comment

Posted in Uncategorized
Tags: Bernardo Bertolucci, Bologna, Boris Barnet, Charlotte Rampling, Cinema Ritrovato, Conrad Veidt, festival, film, filmfestival, Gabriel over the White House, Howard Hawks, Il conformista, Italia, Italy, Jean Renoir, Les Enfants du Paradis, Luchino Visconti, Nazi Agent, silent film, Socialism, The Artist, The Damned, The Phantom of the Opera

Farley Granger (1925-2011)

• March 29, 2011 • Leave a Comment

Posted in Uncategorized
Tags: actor, Alida Valli, attore, Farley Granger, Granger, Luchino Visconti, Senso, Visconti

Two versions of Tosca

• December 6, 2010 • Leave a Comment

Posted in Uncategorized
Tags: 19140s, article, Carl Koch, Cinefest, cinema, cinema italiano, German, Hamburg, Italian, Italian cinema, Italy, Jean Renoir, Lotte Reiniger, Luchino Visconti, paper, Sardou, Tosca, versions

Ivo Blom

Trailer for my new book, EYE book launch, and upcoming presentation in Milan

Reframing Luchino Visconti: Film and Art presented at EYE (and my history with this institution)

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

Roger Hanin (1925-2015)

Francesco Rosi (1922-2015)

Two older publications now online

New season

Cinema Ritrovato 2011

Farley Granger (1925-2011)

Two versions of Tosca

Pages

Blogroll

Film archives and cinematheques

Film festivals

Links

Recent Posts

Archives

Blog Stats

Meta