Posted in early cinema, film, film history, intermediality, intramediality, Italian cinema, Research, symposium, Uncategorized, workshop
Posted in art, book, book presentation, film, film history, intermediality, intramediality, Italian cinema, new publication, publication, Research, trailer, transmediality
Tags: appropriation, book, book presentation, cinéma et peinture, cinema, cinema and art, cinema and intermediality, cinematography, citation, citations, CLUE+, CLUES, comparison, composition, costume design, deep-staging, depth, film, film aesthetics, film and art, film et art, film history, Filmkunst, framing, intratextuality, Italian cinema, Kunst, Kunst und Film, Luchino Visconti, Malerei, miroirs, mirrors, mise-en-scene, mobile framing, peinture cinéma, pittura, set design, Sidestone Press, specchi, Spiegel, staging, trailer, transmediality
Posted in book, exhibition, film, film history, intermediality, Italian cinema, Luchino Visconti, publication, Research
Tags: Amsterdam, cinema, cinema italiano, CLUE+, CLUES, Comparative Arts and Media Studies, Crossmedial Exhibitions, Desmet Collection, Dutch, education, exhibition, EYE, film, film and art, film archive, Filmmuseum, Italian cinema, Italy, lecture, Luchino Visconti, memories, nitrate film, Overveen, poster, publication, Rome, Sidestone Press
Posted in Education, film, film history, in memoriam, Research
Tags: cinema, Cinema Context, Dutch, education, film, history, Karel Dibbets, necrology, research, University of Amsterdam
Posted in exhibition, film, film history, Research
Tags: Alice Terry, Asta Nielsen, cinema, Die Spionin, Die Tänzerin Navarro, facts, female spy, film, Friedrich Feher, Garbo, Greta Garbo, history, Ludwig Wolff, Magda Sonja, Mare nostrum, Mata Hari, movies, myths, representation, Rex Ingram
Posted in film, film history, Research
Tags: facts, film, film history, Luce Saphir, Mata Hari, Mata Hari on film, myths, representation, silent cinema
Posted in Antiquity, art, film, Research, Uncategorized
Tags: 1913, 1951, adaptation, Casa del Cinema, conference, exhibition, Henryk Sienkiewicz, illustration, Institute, literature, movies, novel, opening, Polish, Quo vadis?, Rome
Posted in film, Other, Research
Tags: Alma-Tadema, Antiquity, art, artist, Belvedere Museum, cinema, citation, curator, deep-staging, Egyptian Antiquity, Elizabeth Prettejohn, exhibition, EYE, film and art, film museum, film program, film programme, Frank van der Velden, Fries Museum, furniture, house, interior, Lawrence Alma-Tadema, lecture, Leeuwarden, Leighton House, Marlies Stoter, painter, Peter Trippi, Prestel, prop, Roman Antiquity, silent cinema, Silver Favourites
Posted in art, Education, festival, film, Other, Research, workshop
Tags: Antiquity, art, Babylon, Bologna, cinema, cinema and antiquity, cinema and art, cinema and intermediality, cinema italiano, Cinema Muto, Cinema Ritrovato, David Mayer, education, festival, film, film and art, Greece, Italian cinema, Italy, Jan Styka, Jon Solomon, lecture, Maria Wyke, Nero, Pantelis Michelakis, Raffaele de Berti, silent cinema, silent film, workshop
Posted in art, Education, festival, film, Research, workshop
Tags: Alma-Tadema, Antiquity, art, artist, Bologna, cinema, cinema and antiquity, cinema italiano, Cinema Ritrovato, education, exhibition, festival, film, film and art, Fries Museum, Gladiator, Italian cinema, Italy, Lawrence Alma-Tadema, lecture, Leeuwarden, Nero, painter, painting, Roman Antiquity, silent, silent cinema, workshop
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