KNIR | Ivo Blom

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

Koos Bosma

• September 10, 2015 • 4 Comments

Posted in Uncategorized
Tags: Amsterdam, CAMS, cinematic city, KNIR, Koos Bosma, obituary, Rome, VU

Film in Rome, evaluation

• November 29, 2012 • Leave a Comment

Posted in Uncategorized
Tags: Arthur Weststeijn, bachelor, cinema, cinematic city, education, enriched, experiment, film, Film in Rome, film locations, Geoplaza, Gerdien Smit, innovation, iPad, KNIR, knowledge clips, Rome, Rome on film

New season

• August 24, 2012 • Leave a Comment

Posted in Uncategorized
Tags: art, artist, Ausonia, CAMS, cinema, cinema and antiquity, cinema italiano, Cinema Muto, Comparative Arts and Media Studies, course, crowd, Death in Venice, Desmet, Desmet Collection, Domitor, education, Elena Makowska, FIAF, film, film and art, Film in Rome, forzuti, Francesco Bono, Gioconda, Giorgio Bertellini, Helena Makowska, innovation, iPad, Italian cinema, John Libbey, Journal of Film Preservation, KNIR, L'atleta fantasma, Luchino Visconti, Lyda Borelli, photography, publication, Quo vadis?, Richard Abel, Roman Holiday, Rome on film, Routledge, silent cinema, The Crowd, TMG

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