Sidestone Press | Ivo Blom

Trailer for my new book, EYE book launch, and upcoming presentation in Milan

• April 22, 2018 • 2 Comments

Posted in art, book, book presentation, film, film history, intermediality, intramediality, Italian cinema, new publication, publication, Research, trailer, transmediality
Tags: appropriation, book, book presentation, cinéma et peinture, cinema, cinema and art, cinema and intermediality, cinematography, citation, citations, CLUE+, CLUES, comparison, composition, costume design, deep-staging, depth, film, film aesthetics, film and art, film et art, film history, Filmkunst, framing, intratextuality, Italian cinema, Kunst, Kunst und Film, Luchino Visconti, Malerei, miroirs, mirrors, mise-en-scene, mobile framing, peinture cinéma, pittura, set design, Sidestone Press, specchi, Spiegel, staging, trailer, transmediality

Reframing Luchino Visconti: Film and Art presented at EYE (and my history with this institution)

• March 30, 2018 • Leave a Comment

Posted in book, exhibition, film, film history, intermediality, Italian cinema, Luchino Visconti, publication, Research
Tags: Amsterdam, cinema, cinema italiano, CLUE+, CLUES, Comparative Arts and Media Studies, Crossmedial Exhibitions, Desmet Collection, Dutch, education, exhibition, EYE, film, film and art, film archive, Filmmuseum, Italian cinema, Italy, lecture, Luchino Visconti, memories, nitrate film, Overveen, poster, publication, Rome, Sidestone Press

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

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