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Tags: 1940s, adaptation, Amsterdam, bioscopen, Carl Koch, cinema, cinema and intermediality, cinema italiano, cinemas, documentary, Eerste Wereldoorlog, espionage, fiction, film, film history, Film in Rome, film locations, film production, film reception, First Wprld War, Germany, Italian cinema, Jean Renoir, Luchino Visconti, Nederland, Netherlands, new publications, nonfiction, propaganda, Rembrandt Theater, Rembrandtplein, Rembrandttheater, Rome, spionage, Tosca, Ubaldo Arata, Visconti
Posted in Uncategorized
Tags: 19140s, article, Carl Koch, Cinefest, cinema, cinema italiano, German, Hamburg, Italian, Italian cinema, Italy, Jean Renoir, Lotte Reiniger, Luchino Visconti, paper, Sardou, Tosca, versions
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