Rome | Ivo Blom

Reframing Luchino Visconti: Film and Art presented at EYE (and my history with this institution)

• March 30, 2018 • Leave a Comment

Posted in book, exhibition, film, film history, intermediality, Italian cinema, Luchino Visconti, publication, Research
Tags: Amsterdam, cinema, cinema italiano, CLUE+, CLUES, Comparative Arts and Media Studies, Crossmedial Exhibitions, Desmet Collection, Dutch, education, exhibition, EYE, film, film and art, film archive, Filmmuseum, Italian cinema, Italy, lecture, Luchino Visconti, memories, nitrate film, Overveen, poster, publication, Rome, Sidestone Press

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

Quo vadises in Rome

• November 28, 2016 • Leave a Comment

Posted in Antiquity, art, film, Research, Uncategorized
Tags: 1913, 1951, adaptation, Casa del Cinema, conference, exhibition, Henryk Sienkiewicz, illustration, Institute, literature, movies, novel, opening, Polish, Quo vadis?, Rome

Koos Bosma

• September 10, 2015 • 4 Comments

Posted in Uncategorized
Tags: Amsterdam, CAMS, cinematic city, KNIR, Koos Bosma, obituary, Rome, VU

Two older publications now online

• December 26, 2014 • Leave a Comment

Posted in Uncategorized
Tags: 1940s, adaptation, Amsterdam, bioscopen, Carl Koch, cinema, cinema and intermediality, cinema italiano, cinemas, documentary, Eerste Wereldoorlog, espionage, fiction, film, film history, Film in Rome, film locations, film production, film reception, First Wprld War, Germany, Italian cinema, Jean Renoir, Luchino Visconti, Nederland, Netherlands, new publications, nonfiction, propaganda, Rembrandt Theater, Rembrandtplein, Rembrandttheater, Rome, spionage, Tosca, Ubaldo Arata, Visconti

Film in Rome, evaluation

• November 29, 2012 • Leave a Comment

Posted in Uncategorized
Tags: Arthur Weststeijn, bachelor, cinema, cinematic city, education, enriched, experiment, film, Film in Rome, film locations, Geoplaza, Gerdien Smit, innovation, iPad, KNIR, knowledge clips, Rome, Rome on film

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