Italian Muscle in Germany (in Retrospect)
• October 10, 2015 • 4 CommentsPosted in Antiquity, art, festival, film
Tags: 1920s, Achilles, acrobats, action heroes, Albertini, Aldini, Carlo, Carlo Aldini, cinema, circus, Der Unüberwindliche, festival, film, filmfestival, forzuti, forzuto, German, Germany, Giornate, Helena, Italia, Italy, Le giornate del cinema muto, Luciano, Luciano Albertini, Maciste, male, masculinity, Mister Radio, muscle, musclemen, Pordenone, reception, reviews, silent, silent cinema, silent film, strongmen, Weimar
Italian Muscle Abroad in Pordenone
• September 30, 2015 • Leave a CommentPosted in Uncategorized
Tags: acrobat, acteur, actor, attore, Carlo Aldini, cinema, circus, curating, Der Unüberwindliche, Dolly Rudeman, film, forzuti, forzuto, Giornate, Le giornate del cinema muto, Luciano Albertini, movie, movies, muet, muscle, musclemen, muto, newsreel, Pordenone, postcard, poster, programming, Rinaldo Rinaldini, Ross Verlag, Schauspieler, screen, silent, star, Stummfilm, vintage, Weimar
New season
• August 24, 2012 • Leave a CommentPosted in Uncategorized
Tags: art, artist, Ausonia, CAMS, cinema, cinema and antiquity, cinema italiano, Cinema Muto, Comparative Arts and Media Studies, course, crowd, Death in Venice, Desmet, Desmet Collection, Domitor, education, Elena Makowska, FIAF, film, film and art, Film in Rome, forzuti, Francesco Bono, Gioconda, Giorgio Bertellini, Helena Makowska, innovation, iPad, Italian cinema, John Libbey, Journal of Film Preservation, KNIR, L'atleta fantasma, Luchino Visconti, Lyda Borelli, photography, publication, Quo vadis?, Richard Abel, Roman Holiday, Rome on film, Routledge, silent cinema, The Crowd, TMG
