film history | Ivo Blom

Trailer for my new book, EYE book launch, and upcoming presentation in Milan

• April 22, 2018 • 2 Comments

Posted in art, book, book presentation, film, film history, intermediality, intramediality, Italian cinema, new publication, publication, Research, trailer, transmediality
Tags: appropriation, book, book presentation, cinéma et peinture, cinema, cinema and art, cinema and intermediality, cinematography, citation, citations, CLUE+, CLUES, comparison, composition, costume design, deep-staging, depth, film, film aesthetics, film and art, film et art, film history, Filmkunst, framing, intratextuality, Italian cinema, Kunst, Kunst und Film, Luchino Visconti, Malerei, miroirs, mirrors, mise-en-scene, mobile framing, peinture cinéma, pittura, set design, Sidestone Press, specchi, Spiegel, staging, trailer, transmediality

Rome Past & Present: my new book brings back old memories of my (his)tory with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

Facts and alternative facts on Mata Hari on film

• March 3, 2017 • 4 Comments

Posted in film, film history, Research
Tags: facts, film, film history, Luce Saphir, Mata Hari, Mata Hari on film, myths, representation, silent cinema

Two older publications now online

• December 26, 2014 • Leave a Comment

Posted in Uncategorized
Tags: 1940s, adaptation, Amsterdam, bioscopen, Carl Koch, cinema, cinema and intermediality, cinema italiano, cinemas, documentary, Eerste Wereldoorlog, espionage, fiction, film, film history, Film in Rome, film locations, film production, film reception, First Wprld War, Germany, Italian cinema, Jean Renoir, Luchino Visconti, Nederland, Netherlands, new publications, nonfiction, propaganda, Rembrandt Theater, Rembrandtplein, Rembrandttheater, Rome, spionage, Tosca, Ubaldo Arata, Visconti

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