film and art | Ivo Blom

Trailer for my new book, EYE book launch, and upcoming presentation in Milan

• April 22, 2018 • 2 Comments

Posted in art, book, book presentation, film, film history, intermediality, intramediality, Italian cinema, new publication, publication, Research, trailer, transmediality
Tags: appropriation, book, book presentation, cinéma et peinture, cinema, cinema and art, cinema and intermediality, cinematography, citation, citations, CLUE+, CLUES, comparison, composition, costume design, deep-staging, depth, film, film aesthetics, film and art, film et art, film history, Filmkunst, framing, intratextuality, Italian cinema, Kunst, Kunst und Film, Luchino Visconti, Malerei, miroirs, mirrors, mise-en-scene, mobile framing, peinture cinéma, pittura, set design, Sidestone Press, specchi, Spiegel, staging, trailer, transmediality

Reframing Luchino Visconti: Film and Art presented at EYE (and my history with this institution)

• March 30, 2018 • Leave a Comment

Posted in book, exhibition, film, film history, intermediality, Italian cinema, Luchino Visconti, publication, Research
Tags: Amsterdam, cinema, cinema italiano, CLUE+, CLUES, Comparative Arts and Media Studies, Crossmedial Exhibitions, Desmet Collection, Dutch, education, exhibition, EYE, film, film and art, film archive, Filmmuseum, Italian cinema, Italy, lecture, Luchino Visconti, memories, nitrate film, Overveen, poster, publication, Rome, Sidestone Press

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

Closure of the Alma-Tadema project

• November 2, 2017 • Leave a Comment

Posted in Antiquity, art, exhibition, film, symposium, workshop
Tags: Alma-Tadema, art, Birkbeck university, cinema, comparison, exhibition design, exhibition studies, film, film and art, Lawrence Alma-Tadema, Leeuwarden, London, Paul Mellon Foundation, symposium, Vienna

Alma-Tadema: Classical Charm

• September 23, 2016 • Leave a Comment

Posted in film, Other, Research
Tags: Alma-Tadema, Antiquity, art, artist, Belvedere Museum, cinema, citation, curator, deep-staging, Egyptian Antiquity, Elizabeth Prettejohn, exhibition, EYE, film and art, film museum, film program, film programme, Frank van der Velden, Fries Museum, furniture, house, interior, Lawrence Alma-Tadema, lecture, Leeuwarden, Leighton House, Marlies Stoter, painter, Peter Trippi, Prestel, prop, Roman Antiquity, silent cinema, Silver Favourites

Antiquity in Cinema: The First Twenty Years (1897-1916)

• June 21, 2016 • Leave a Comment

Posted in art, Education, festival, film, Other, Research, workshop
Tags: Antiquity, art, Babylon, Bologna, cinema, cinema and antiquity, cinema and art, cinema and intermediality, cinema italiano, Cinema Muto, Cinema Ritrovato, David Mayer, education, festival, film, film and art, Greece, Italian cinema, Italy, Jan Styka, Jon Solomon, lecture, Maria Wyke, Nero, Pantelis Michelakis, Raffaele de Berti, silent cinema, silent film, workshop

Cinema Ritrovato 2016 and Alma-Tadema coming up

• April 21, 2016 • Leave a Comment

Posted in art, Education, festival, film, Research, workshop
Tags: Alma-Tadema, Antiquity, art, artist, Bologna, cinema, cinema and antiquity, cinema italiano, Cinema Ritrovato, education, exhibition, festival, film, film and art, Fries Museum, Gladiator, Italian cinema, Italy, Lawrence Alma-Tadema, lecture, Leeuwarden, Nero, painter, painting, Roman Antiquity, silent, silent cinema, workshop

New publication on Italian silent cinema

• November 5, 2013 • Leave a Comment

Posted in Uncategorized
Tags: Acta Sapientiae Universitatis, art, artist, cinema, cinema italiano, Cinema Muto, Febo Mari, film and art, Il Fuoco, Italian, Italian cinema, lecture, model, Pina Menichelli, silent, silent cinema

New season

• August 24, 2012 • Leave a Comment

Posted in Uncategorized
Tags: art, artist, Ausonia, CAMS, cinema, cinema and antiquity, cinema italiano, Cinema Muto, Comparative Arts and Media Studies, course, crowd, Death in Venice, Desmet, Desmet Collection, Domitor, education, Elena Makowska, FIAF, film, film and art, Film in Rome, forzuti, Francesco Bono, Gioconda, Giorgio Bertellini, Helena Makowska, innovation, iPad, Italian cinema, John Libbey, Journal of Film Preservation, KNIR, L'atleta fantasma, Luchino Visconti, Lyda Borelli, photography, publication, Quo vadis?, Richard Abel, Roman Holiday, Rome on film, Routledge, silent cinema, The Crowd, TMG

From Brighton to Bologna

• June 16, 2012 • 2 Comments

Posted in Uncategorized
Tags: art, Bologna, Brighton, cinema, cinema italiano, Cinema Muto, Cinema Ritrovato, conference, Domitor, festival, film, film and art, Italian cinema, lecture, Lyda Borelli, silent cinema

Blogroll

Links