art | Ivo Blom

Archive for the 'art' Category

Trailer for my new book, EYE book launch, and upcoming presentation in Milan

• April 22, 2018 • 2 Comments

Posted in art, book, book presentation, film, film history, intermediality, intramediality, Italian cinema, new publication, publication, Research, trailer, transmediality
Tags: appropriation, book, book presentation, cinéma et peinture, cinema, cinema and art, cinema and intermediality, cinematography, citation, citations, CLUE+, CLUES, comparison, composition, costume design, deep-staging, depth, film, film aesthetics, film and art, film et art, film history, Filmkunst, framing, intratextuality, Italian cinema, Kunst, Kunst und Film, Luchino Visconti, Malerei, miroirs, mirrors, mise-en-scene, mobile framing, peinture cinéma, pittura, set design, Sidestone Press, specchi, Spiegel, staging, trailer, transmediality

Rome Past & Present: my new book brings back old memories of my (hi)story with Rome and its Dutch Institute

• February 27, 2018 • Leave a Comment

Posted in art, book, film, film history, intermediality, intramediality, Italian cinema, Luchino Visconti, publication, transmediality
Tags: 16mm, 1980s, aesthetics, art, art direction, book, Centro Sperimentale, cinema, cinema and painting, cinematography, CLUE+, costume design, film, film and art, film history, film school, first films, Il primo cinema italiano 1905-1945, intermediality, intervisuality, intramediality, Istituto Olandese, Italian cinema, KNIR, Luchino Visconti, Nelly Voorhuis, one minute film, painting, photography, publication, Rome, Royal Dutch Institute, scenography, Sidestone Press, Silvano Agosti, Stichting Mecano, super-8, transmediality

Closure of the Alma-Tadema project

• November 2, 2017 • Leave a Comment

Posted in Antiquity, art, exhibition, film, symposium, workshop
Tags: Alma-Tadema, art, Birkbeck university, cinema, comparison, exhibition design, exhibition studies, film, film and art, Lawrence Alma-Tadema, Leeuwarden, London, Paul Mellon Foundation, symposium, Vienna

Quo vadises in Rome

• November 28, 2016 • Leave a Comment

Posted in Antiquity, art, film, Research, Uncategorized
Tags: 1913, 1951, adaptation, Casa del Cinema, conference, exhibition, Henryk Sienkiewicz, illustration, Institute, literature, movies, novel, opening, Polish, Quo vadis?, Rome

Antiquity in Cinema: The First Twenty Years (1897-1916)

• June 21, 2016 • Leave a Comment

Posted in art, Education, festival, film, Other, Research, workshop
Tags: Antiquity, art, Babylon, Bologna, cinema, cinema and antiquity, cinema and art, cinema and intermediality, cinema italiano, Cinema Muto, Cinema Ritrovato, David Mayer, education, festival, film, film and art, Greece, Italian cinema, Italy, Jan Styka, Jon Solomon, lecture, Maria Wyke, Nero, Pantelis Michelakis, Raffaele de Berti, silent cinema, silent film, workshop

Cinema Ritrovato 2016 and Alma-Tadema coming up

• April 21, 2016 • Leave a Comment

Posted in art, Education, festival, film, Research, workshop
Tags: Alma-Tadema, Antiquity, art, artist, Bologna, cinema, cinema and antiquity, cinema italiano, Cinema Ritrovato, education, exhibition, festival, film, film and art, Fries Museum, Gladiator, Italian cinema, Italy, Lawrence Alma-Tadema, lecture, Leeuwarden, Nero, painter, painting, Roman Antiquity, silent, silent cinema, workshop

Italian Muscle in Germany (in Retrospect)

• October 10, 2015 • 6 Comments

Posted in Antiquity, art, festival, film
Tags: 1920s, Achilles, acrobats, action heroes, Albertini, Aldini, Carlo, Carlo Aldini, cinema, circus, Der Unüberwindliche, festival, film, filmfestival, forzuti, forzuto, German, Germany, Giornate, Helena, Italia, Italy, Le giornate del cinema muto, Luciano, Luciano Albertini, Maciste, male, masculinity, Mister Radio, muscle, musclemen, Pordenone, reception, reviews, silent, silent cinema, silent film, strongmen, Weimar

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